Friday, November 28, 2014

However interpretations for the most EIV

The Great Gatsby - The Great Gatsby (2012) | reel.gr
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Directed by: Baz Luhrmann candy jar Screenplay: Baz Luhrmann, Craig Pearce, (based on the book) F. Scott Fitzgerald Starring: Leonardo DiCaprio, Carey Mulligan, Isla Fisher, Tobey Maguire, Joel Edgerton Duration: 142 'Country: United States Australia Distribution: Village Films
His book F. Scott Fitzgerald "The Great Gatsby", which was published in 1925, is now considered one of the greatest novels of American literature. Although I personally have not read the book, I have heard comments from both sides consider masterpiece candy jar timeless ode to the vanity of the American dream and others who qualify badly written, without any particular meaning and antiquated.
Can the history of Gkatsmpy have already moved once again to the big screen in 1974, starring candy jar Robert Redford and Mia Farrow, but this here is the film adaptation of Baz Luhrmann perhaps succeeds in catching the spectacular, wonderful world of exotic Gkatsmpy. But unfortunately not all that bright and monumental as you would expect.
"The Great Gatsby" follows the aspiring writer Nick Karagouei (the standards of Fitzgerald himself), leaving the Midwest US states to go to New York in spring 1922, an era characterized by loose morals, the pompous jazz, sovereignty smuggling and acne stock. Chasing his own American Dream, Nick will be found next to the mundane and mysterious millionaire Jay Gatsby, and near cousin candy jar Daisy and flirtatious royalty husband, Tom Buchanan. This is how Nick lost the attractive world of Croesus, the illusion of love and their fraud. As Nick experiencing candy jar what is happening inside and outside the world we now live, record the history of unsuccessful love, incorruptible dreams candy jar of forming benchmarks for the modern era.
"A life full of fear is a life half." The motto of this film Luhrmann Strictly Ballroom is the first thing you see in the film "The Great Gatsby". candy jar And from the Luhrmann seems not at all afraid to exaggerate, at least visually, the new film. Yes, this Gkatsmpy is exactly what you expect from a film Luhrmann. Spectacular, a colorful visual feast flooded with a surreal style, enriched with many doses of glitter which captures almost perfectly the pulse of the time. An era, which captivates with its beauty and the fast pace but also covers with fancy illusions the painfully candy jar empty of nature: the gluttony of the American dream. This is the world of Gkatsmpy.
But Luhrmann seems not so interested in what exists beyond the lights, glittering costumes, the glitter and colorful fireworks that light up the party of Gkatsmpy. Fascinated by this world and its artificial shiny nature and forgets to dig a little candy jar further to discover any decay can be deceiving. Fails to give the required rigidity and tension in many moments and shows helpless to escape the meta-musical roots Moulin Rouge! Showing how trying, unsuccessfully, to play here too. The result is to resemble something completely unidirectional and sometimes shallow.
His style Gkatsmpi overcomes its essence. Your film gives little space to "breathe" as your senses feel like you have overloaded flooded from the beginning color, movement, sound and an anachronistic soundtrack. Everything to move quickly, sometimes intoxicating, and leave you with a feeling of dizziness and detuning.
Even when Luhrmann candy jar putting away all this and trying to tell a tragic love story, fails to hit the right emotional because we simply can not do that they will care for the characters. Not deepen as it should be in their psyche, the tragic nature and the result is not managed to deliver to perfection is their intrinsic license life.
However interpretations for the most EIV

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