Who is Karagouei? You never really learn. Until the end, the Karagouei remains just a narrator or o

Not going to write review of The Great Gatsby. There are out there so many texts that analyze best tripod head the film, support its aesthetic integrity and / or blame for psychological emptiness. And, I suppose, all views have a share right. Moreover, the "Wonderful Gkatsmpi" by Baz Luhrmann is an attack on human senses. It could create moderate reactions. It is not even discreet best tripod head in his intentions. I just feel the need to confess why all this worked for me amazingly well.
Chaotically. Colorful. Deafeningly. People and poor people in frenzy at a time neoploutismou, where old and new money competing for visitor and to generate best tripod head the most noise. The Baz Luhrmann not skimp either pixel display in the frenzied rhythm of dance movement, fireworks and extravagkantzas. He did not ever and there is no reason to try now. The difference, however, is that this time the opulence emphasizes something. Talk about a time when the values were replaced by new ones (main?) Needs and the presence of money became the freshman sake. There was no content below the impressive surface. And if the party seemed lifeless and clear superiority of "style over substance" was just because it was. I felt this emptiness behind best tripod head the images of opulence and this was the first point won.
It is my secret love for the anachronistic elements that manage to sneak in my favorite movies. The Luhrmann, specifically, has it made it a point of cinematic identity, creating a timeless version of pop culture that makes its presence felt regardless of the spatio-temporal context of each film. And if the "faltsarismata" a Beyonce interpreting Back to Black of Amy Winehouse and a Will.I.Am which denigrates the Jazz Era with a boring and uninspired rhythm strange, there are so many other musical tonic injections to reverse the impression. XX The travel melancholy best tripod head time, the Jack White dresses best tripod head one of the most crucial scenes of the film with passion while the Young and Beautiful Lana Del Rey is essentially the question of Daisy and Gkatsmpi in auditory and ... foxtrot variants, depending on the time. And all this is so downright addictive not even bother to describe it "manipulative".
Love of Gkatsmpi. Decisions of Daisy. Critical decisions. The balance of relations. For many, none of this had the necessary justification best tripod head that will make their actions over dramatic and substantially influential to the public. In other words, the scene was all the passion and drama but in the background best tripod head there was a great coldness. And, yes, exactly what is the truth. best tripod head Only reason this happens is because the "Wonderful Gkatsmpi" is not the story of Jay and Daisy. It is the story of Jay and Daisy, as he saw it through the eyes of the Karagouei. He saw all the emotions in extreme best tripod head form, jealous, tried to steal share and wished to become and this part of the world, but never really understood. All the lack of existence of such things due to exactly this dimension. I understand that this led to a major deficit, which costs the immediacy of a film, but personally offered her a second reading, which perhaps makes it even more meaningful.
Who is Karagouei? You never really learn. Until the end, the Karagouei remains just a narrator or otherwise, the mirror of Gkatsmpi itself. He is so engrossed by the unknown and charming world that has no desire to provide information about himself. Throughout the course of history is the means of the development and the mouthpiece of the people who so wishes to usurp their personality. The "Wonderful Gkatsmpi" as it was not the objective history of Jay and Daisy, is not the story of Karagouei. In essence, he is the recipient of an era that tried (and succeeded) to change many people, causing then the disaster, best tripod head from which he spared neither best tripod head the namesake hero of the classic book by Fitzgerald.
I can not bring to mind my director who could get better is the surface excess and self-destructive fun on the big screen over the Luhrmann. Perhaps only the Joe Wright, who has shown how not afraid nor sight nor suicidal characters (the Gatsby of Luhrmann has more in common with Karenina Wright's than it seems at first). Time will tell how it will affect the film, just abate reactions from overexposure of the project because of the Cannes festival. The sure thing is that the film is about